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  • IN THE MEDIA | Immortal Studios

    In the Media 12/29/20 - Comic Town Video Review of The Adept ​ ​ 12/29/20 - NextShark ‘Awaken Your Hero Challenge’ on TikTok Has Everyone Bringing Back Kung Fu Culture ​ 12/3/20 - SupChina ‘The Adept’: Rebooting wuxia, China’s ancient literary genre ​ ​ 10/29/20 - Comic Book Resources Comic Book Newcomer Immortal Debuts Cover Art for Flagship Title, The Adept ​ ​ 10/29/20 - Sinica The Wuxia Storyverse of Peter Shiao 10/21/20 - NextShark NextShark Partners With Immortal Studios to Bring the Wuxia Universe to Life ​ 8/25/20 - Atomic Zero Atomic Zero Show #26 Peter Shiao "Immortal Studios" ​ 7/7/20 - Fanbase Press Fanbase Press Interviews Peter Shiao on Launching the Kickstarter Campaign for Immortal Studios' The Adept ​ 6/30/20 - Radii This Asian American Female Superhero Comic Wants to be the Marvel of Kung Fu ​ ​ 6/19/20 - The Beat, The Blog of Comics Culture Comics Crowdfunding Round-up: The Adept ​ ​ 6/15/20 - NextShark New ‘Wuxia’ Studio Unveils Their First Kung-Fu Comic Series Led By a Chinese American Heroine ​ ​ ​ Chinese Media: ​ 11/6/20 - World Journal 11/6/20 - Chinese News Agency 11/6/20 - US News Express 11/6/20 - American Multimedia Television

  • Reader Reviews | Immortal Studios

    What Readers are Saying about The Adept Learn about The Adept "Absolutely fantastic! I'm hooked. When will be able to back issue #2? " - Stephen ​ "I loved it!! It was fun and spunky! I can't wait for issue no.2!" - Diane ​ "Great looking book!" - Don ​ "Really love The Adept!" - Ed ​ "Great stuff!" - Alvin ​ " Whoo! Excellent work! Can't wait to see what's next." - Michael ​ " Within the first few pages we have a female protagonist who hates crowds, a concert, a mysterious Kung Fu warrior, and a conspiracy with the venue’s security. Well I’m intrigued!!” – Mike ​ " The Adept really lives up, it has so much mystery to it , what is the meaning of Amy's Dreams and her Master? What is the Rift between her and Amy sister? What is the importance of Sasha? And Who is the Villain in this series? So many questions, that I'm dying to know!" - Justin

  • Contact Us | Immortal Studios

    Contact us We look forward to hearing from you. Please use the form below or send us an email at: contact@immortal-studios.com Contact Us First Name Last Name Email Message Submit Thanks for contacting us! Immortal Office Immortal Studios 418 Bamboo Lane Los Angeles, CA 90012

  • AAPI Resource Guide

    A Resource Guide for the AAPI Community We have also assembled an AAPI Resource Guide below for those who are in need of direct assistance and other resources in this moment. Here is useful information and links to: Protect Asian Americans For Parents to Help Children Useful Lists Asian American News Sites Organizations Shared Statements Against Asian American Violence Report Bias Incidents and Hate Crimes To submit new info to be added to this list, contact us at contact@immortal-studios.com . ​ Protect Asian Americans 1. Compassion in Oakland - Support our Elderly Compassion in Oakland is a movement for the community to come together to support our Elderly Asians. It was formed in response to the surge of anti-Asian attacks -- particularly in California’s Bay Area. Hundreds of volunteers have come forward from all across the Bay of all different backgrounds, to stand against AAPI hate. Request Chaperone - If you are nervous about walking home alone in California's Bay Area, then visit Compassion's homepage for info to call for a Chaperone or to schedule one in advance. Volunteer Signup Start a Branch in your Hometown ​ 2. Anti-Hate Safety Resources From the Asian American Federation, these safety resources, created in collaboration with experts from the Center for Anti-Violence Education, teach targeted individuals how to de-escalate threatening situations and defend themselves in the event of anti-Asian violence. The flyers in 5 Asian languages offer strategies to help individuals safely intervene if they see someone being targeted or to use verbal and/or physical methods to safely exit a threatening situation. ​ 3. Bystander Intervention Training to Stop Anti-Asian/American Harassment Hollaback! and Asian Americans Advancing Justice are offering virtual Bystander Intervention Training to help allies develop the tools they need to respond to, stop, or de-escalate harassment faced by Asian Americans. See Advancing Justice - Chicago activities . ​ For Parents to Help Children ​​ Guide for Parents of Asian/Asian American Adolescents Videos to provide parents with the knowledge and skills to effectively support their children. in English, Chinese, Korean, Japanese and Vietnamese from William James College. Asian American Racism and Mental Health Resources From the MGH Center for Cross-Cultural Student Emotional Wellness. ​ Useful Lists ​​ Anti-Asian Violence Resources Find resources that have been gathered to help individuals educate others, take action, donate, and more. American Academy of Child & Adolescent Psychiatry Promote the healthy development of children, adolescents, and families through advocacy, education, and research Love Has No Labels Ways to Support the Asian Community. There are many actions you can take right now to support your Asian, South Asian, and Pacific Islander (API) friends, neighbors, and community members. Playbill To help Stop AAPI Hate, starting steps on where to donate, organizations to support, and more. Info about Covid-19 From Asian American Federation, community resources to help navigate these uncertain times. ​ ​ News ​​ NextShark - Asian American News NextShark is a leading source covering Asian American News and Asian News including business, culture, entertainment, politics, tech and lifestyle. AsAmNews AsAmNews is a community of users interested in reading, learning and commenting on news, events, people & issues in the Asian Americans and Pacific Islander communities. NBC Asian America Stories, issues and opinions from the Asian American perspective. The New York Times - Asian Americans HuffPost Asian Voices Refinery29 - Asian Americans Angry Asian Man This blog is about Asian America. Moc hi Online publication for Asian American women to give content, resources and inspiration. ​ Organizations ​ StandwithAsianAmericans.com Stop AAPI Hate Our communities stand united against racism. Hate against Asian American Pacific Islander communities has risen during the COVID-19 pandemic. Together, we can stop it. Hate is a Virus Hate Is A Virus is a nonprofit community of mobilizers and amplifiers that exists to dismantle racism and hate. Asian Americans Advancing Justice - Asian Law Caucus Asian Americans Advancing Justice – Asian Law Caucus is the nation’s first legal and civil rights organization serving the low-income Asian Pacific American communities. Asian Americans Advancing Justice in Atlanta National Asian Pacific American Women’s Forum Our mission is to build collective power with AAPI women and girls to gain full agency over our lives, our families, and our communities. CAAAV Organizing Asian Communities works to build grassroots community power across diverse poor and working class Asian immigrant and refugee communities in New York City. Asian Pacific Policy & Planning Committee The Asian Pacific Policy and Planning Council (A3PCON) is a coalition of community-based organizations that advocates for the rights and needs of the Asian and Pacific Islander American (APIA) Community in the greater Los Angeles area. Chinese for Affirmative Action CAA is a progressive voice in and on behalf of the broader Asian American and Pacific Islander community. We advocate for systemic change that protects immigrant rights, promotes language diversity, and remedies racial and social injustice. Asian American Federation Advocates for better policies, services, and funding that lead to more justice and opportunity for Asian immigrants, one of New York City's poorest and most underserved communities. Federal Asian Pacific American Council Represents the civilian and military Asian Pacific American (APA) employees in the Federal and District of Columbia governments. AAPI Progressive Action Promotes awareness and action for progressive AAPI causes. ​ Shared Statements Against Asian American Violence ​​ Asian Organizations Across the Bay Area Join Forces to Demand Action Against Violence Our Shared Statement Against Anti-Asian Violence | Asian Americans Advancing Justice - LA ​ Report Bias Incidents and Hate Crimes ​​ Stop AAPI Hate You can make a report of any racist of discriminatory incidents toward the Asian community. Anti-Asian Bias Reporting Form Report bias incidents and hate crimes in English and 7 Asian languages to the Asian American Federation. Stand Against Hatred Tell your story and help the Asian Americans Advancing Justice track hate. New York Attorney General’s office at 1-800-711-7755, or email civil.rights@ag.ny.gov ​ ​ March 26, 2021 - National Day of Action and Healing

  • The Shaolin Phoenix | Immortal Studios

    The Shaolin Phoenix (C) 2004 KungFuMagazine.com. Republished by permission. What is Wuxia? Our Favorite Wuxia Movies Anatomy of a Wuxia Novel Into the Badlands Crouching Tiger, Hidden Dragon did wonders for the Western kungfu movement. Now everyone is acknowledging this film genre that we have loved so dearly for so long. We all knew kungfu cinema was great cinema. It's so full of soul. Now, finally, the rest of the world is seeing it too. But of course we were there, before this new wave of interest, back in the day... While Crouching Tiger, Hidden Dragon was new sensation for pop culture, we martial arts aficionados have seen this kind of film a hundred times before. It was a throwback to the old "old school" martial arts movies, pre-Shaw brothers, when romantic swashbucklers ruled the silver screen. These movies were called wuxia pian or "warrior-knight films." Wuxia pian were usually based on a popular genre of books known as wuxia xiaoshuo (warrior-knight novels.) Wuxia novels are the pulp fiction and comic books of Asia, packed with quixotic, inspiring legends about great martial arts masters with magic qi powers. Often, these fictional adventures were derived from folk legends about actual famous masters, just like our own tales of Robin Hood or King Arthur. In fact, the majority of period kungfu movies such as Wong Fei Hung, Hung Hay Kwun, Fong Sai Yuk and even Crouching Tiger, Hidden Dragon are based on classic wuxia stories. Despite their penchants for the absurdly fantastic, wuxia xiaoshuo preserves the spirit of the forefathers and foremothers of our cherished art of kungfu. And buried in those beloved novels remain countless legends about our martial ancestors yet to be translated. ​ One of the many wuxia xiaoshuo heroes so far unsung in English is Gan Fengchi. Gan is recognized in the martial circles as the founder of Bak Sil Lum (northern Shaolin) and Hua Quan (Flower Fist.) Additionally, Chinese readers know his posthumous martial treatise Introduction to Hua Quan. Gan was a great kungfu master and the embodiment of wude, the warrior's code. He was known by the title Jiangnan Diyixia - Jiangnan means south of the river, a reference to southern China and Diyixia means "number one knight." The stories of his adventures are full of the impossible, just like the flying and leaping in Crouching Tiger, Hidden Dragon, nevertheless his esteemed legacy remains to this day. The Phoenix versus Plum Flowers and Bulls ​ Gan Fengchi was a native of Ningxian County in Jiangsu Province who lived under the reign of the 4th Qing Emperor Yongzheng (1723-1735 CE.) His given name Fengchi means "phoenix pond." Gan was born with a small, skinny body, not at all what one might expect of a legendary master, but he loved kungfu from the very start and trained assiduously all his life. Through his devotion, he eventually became the layman disciple of a Shaolin monk name Zhao Yuan. Zhao Yuan was originally from the royal family of the previous Ming Dynasty, whose secular name was Zhu Fu. When the Qing overthrew the Ming in 1644, Zhu Fu renounced his family name and became a monk, in hopes of learning Shaolin kungfu to help restore Ming reign. He trained Gan for twelve years. ​ Once, the Jin clan held a big party in honor of Master Gan. The Qing dynasty actually adopted the Chinese name Qing; they were really Manchurian, known as the Jin. As a show of respect, Master Gan sat at the highest seat of honor presented by the Jin head clansman. Everyone was drinking merrily when Master Gan noticed the beautiful flower garden outside on the Jin estate. Gan exclaimed, "Look outside! So many plum flowers are in bloom. We should appreciate their beauty but the window is closed." Without another word, Master Gan blew the window open, using only the qi of his breath. Everyone applauded with amazement. Noticing that the master was in a mood to demonstrate, another guest asked about Master Gan's legendary throwing skills. Gan obliged by instructing a maid to mark several of the plum flowers outside in the garden. He took a piece of napkin, crumpled it up into a tight wad, and flicked it from his seat. He hit every single mark dead on target. ​ Later, after they had finished drinking, the partygoers all decided to take a stroll about the Jin estate. While walking, some teenage shepherds approached them in desperate need of help. Two of their biggest bulls had been fighting all day nonstop. When the party approached, they found the bulls were struggling because they had locked their horns together. Master Gan effortlessly separated the mad bulls and tossed them aside. Both bulls fell into mud so deep that they couldn't get up. Everyone laughed with astonishment. Then Master Gan went down to rescue the hapless bulls. Master Gan versus the Evil Emperor ​ But still, a martial arts master seldom makes his reputation on flowers and bulls. Master Gan was best known for his opposition to the notorious Emperor Yongzheng. Later at that same Jin party was the first time they crossed paths. This was prior to Yongzhen usurping the throne. Before the party, a disciple of Gan named Bai Long Daoren (white dragon Taoist - a nickname) introduced the prince in disguise as Mr. Li. Bai Long told Master Gan that Mr. Li was his boss and had extended his invitation to Gan to return to the capital with him. The disciple praised Li for his generosity and his martial skill, but it was all just a ruse to get Gan to work as a fighter for the Qing. Master Gan agreed to meet Li for dinner at the party given by the Jin clan, which quickly became a test of each other's martial arts. ​ The prince, posing as Mr. Li, went first. He was a master of Shaolin gecko skills. Li placed his back to the wall, focused his qi, and then walked up the wall just like a gecko. Master Gan smiled, and took the same position against the wall. He told Li to hit him in the stomach as hard as he could. Li gathered all his strength and struck. Gan used his qigong skills to flatten out his belly so his body was a thin as paper. When Li punched, it was as like his fist collided with the wall behind Gan. Then Gan used his qi to suck Li's fist into his stomach so it was stuck as if it were glued there. Li was powerless to remove his fist. Gan laughed then loosened his stomach, releasing Li. Later that night, Bai Long confided in Master Gan, revealing Mr. Li's true identity as the prince and his intentions to take the throne. He told Gan that Yinchen (Yongzhen's birth name before he became emperor) wanted Gan as one of his imperial guard, a very illustrious position indeed. Nevertheless, Gan refused. Bai Long begged, but Gan was adamant. Yinchen became very upset and grabbed Gan by the sleeve, but in one quick move, Gan turned and disappeared into thin air. Bai Long and Yinchen searched and searched. Finally, they found him hiding in a closet, using his qi power to stick high up on the wall. Neither Bai Long nor Yinchen could pull him down. Yinchen even used a Lama mantra to try and break the spell (the historical Yongzheng was in fact a devout Buddhist who converted the palace of his birth, Yonghe Gong, into a Lama Temple.) Yinchen was amazed by Gan's power, but he feared that Gan would join forces with the rightful heir to the throne, not him. So rather than lose Gan to his adversary, he drew his gun and shot him, then immediately fled back to Beijing with Bai Long. Guns were already dominant in China during Master Gan's time. ​ The other party guests heard the gunshot and rushed out. Gan emerged from another room, unscathed and laughing. Somehow, the bullet had not injured him; it just blew him into the next room unharmed. The Jin head clansman asked Master Gan why he didn't accept the prince's offer in the first place. Gan replied, "The fourth prince has the look of the emperor. But still, his chin bone sticks out too much, which means he is very selfish, so I do not want to follow him." Master Gan versus the Begging Bowl Monk Gan Fengchi went to live in Nanjing and his reputation for wude and kungfu assured that no one dared make trouble there for some time. But eventually a challenger did come, a monk with a giant begging bowl. The bowl weighed several hundred pounds when filled with offerings and the mischievous monk would use it to block doorways and paths. If someone wanted to get by, they either had to pay the monk toll or move the bowl, but of course, no ordinary person could even budge it. The harassed citizens of Nanjing were powerless to challenge the monk, so they threatened him by saying Master Gan would take care of him. But the monk was undaunted. Gan did not appear, so he ridiculed Gan and publicly challenged him. ​ As fate would have it, Master Gan had fallen very ill and was in no shape to face the monk. Furthermore, when people told him of the challenge, Gan knew immediately this was no ordinary monk. To carry such a huge begging bowl, this monk must be immensely powerful. He must have come looking for Gan with the intention of challenging him. Master Gan continued to avoid the monk so the monk's challenges grew in their offensiveness, but Master Gan was still sick. Then one day, Master Gan sought refuge at a nearby temple to meditate on how to deal with this monk. There the monk appeared, smiling at Master Gan. He said he wanted to present Master Gan with his begging bowl, then immediately lobbed the massive bowl at him. The bowl was filled with sharp coins, but Gan deflected everything with his wide sleeves. Master Gan retaliated by picking up a stone and chucking it at the monk, but due to his illness, his hand failed and he missed completely. Undaunted, Gan got another stone and said, "Since I missed your head, I'll hit your leg." The monk focused on defending his legs, but it was a feint. Gan threw the second stone with all his might at directly at the monk's baldhead. The second stone flew true, cracking the monk deeply on the skull. But the monk was unfazed. Master Gan was shocked. Such a blow would have killed most warriors. This monk's skill was superior then that of Master Gan. Gan humbly bowed down and begged forgiveness. The monk said, "You are uncommon and you favor me. I should return your stone, but I would like to bring it back to present to Zhao Yuan." The monk vanished immediately. Master Gan was worried when he heard his Shaolin Monk master's name, believing he had offended the monk with his trick, but he never heard from him again. Perhaps it was some sort of quality check, to make sure the Shaolin disciple had kept his skills up, but Gan never found out. Master Gan versus the Begging Bowl Monk - the Sequel Emperor Yongzheng summoned Master Gan soon after he took the throne. Yongzheng still wanted to enlist Gan as a bodyguard and Master Gan could not refuse an imperial invite. Besides, he thought he could learn something about the inner circle of the palace for the Ming resistance. So he went, but he found the palace too well guarded for him to look around. The emperor looked at Gan's slight build with contempt and asked, "What skill do you have?" Master Gan said, "Your subject can be a light as a sparrow or as heavy as a stone." Yongzheng ordered Gan to demonstrate. Master Gan focused his qi and then leaped up to perch on a flower bush. Yongzheng was delighted and exclaimed, "How light he is!" Before the words left his lips, Gan jumped down and his legs sank into the tiled floor up to his knees. "Supernatural!" cheered the emperor and he immediately ordered that Master Gan be rewarded. Gan quickly found an excuse then escaped the palace. Emperor Yongzheng never let go of Master Gan after that. In 1729, the seventh year of his reign, Yongzheng had Master Gan arrested by Qing officials. More than 100 others, many of who were also martial arts masters, were taken into custody in connection to a secret anti-Qing religious sect, led by the Monk Yi Nian. Like many such secret societies of China's turbulent history, Monk Yi Nian's followers espoused a doctrine of mysticism and martial arts with an undertone of rebellion. Such movements have always threatened the governments of China, so they are crushed quickly and mercilessly, even to this day. The Emperor versus the Girl from Shaolin According to the wuxia xiaoshou, it was another Shaolin disciple, a teenage girl named Lu Siniang, who assassinated Yongzheng. As common plot device in wuxia stories, young swordswomen are often the most lethal, just like Jen in Crouching Tiger, Hidden Dragon. Lu Siniang and Gan Fengchi were both outstanding wuxia heroes of that era. Lu's father, Lu Liuliang was a great scholar from Shimen County in Zhejiang Province. He was sentenced to death for criticizing the Qing in his writings. When Yongzheng became Emperor, he further humiliated Lu. He had his body dug up, flogged and destroyed, as well as the entire surviving family killed. Lu Siniang escaped by fleeing to Shaolin Temple. There she became the disciple of a one-armed Shaolin nun named Guang Ci. Guang Ci was actually a Ming princess Chongping, daughter of the last Emperor of the Ming dynasty, Chongzhen (1628-1644.) Like Gan's master, Zhao Yuan, Guang Ci took refuge at Shaolin in hopes to learn kungfu and restore her fallen dynasty. There are two legends about how she lost her arm. The first is that she lost it to Yongzheng in a previous battle. The second is that she lost it to her father, the Emperor. According to the actual history, when the Qing troops began storming the palace, the emperor got drunk. He ran through the palace ordering all the women to kill themselves. While the Empress Zhou did just that, the Emperor killed his concubines and another daughter. In his madness, the Emperor also cut off the arm of one of his daughters before hanging himself on a locust tree. However, whether or not that daughter survived to go to Shaolin remains a mystery. Guang Ci poured all of her skill into Lu Liuliang. When she was ready, Lu snuck into the palace at night for a swordfight with Yongzheng, one-to-one, girl-to-emperor. Yongzheng was a highly skilled martial artist himself, but he was caught off guard by this beautiful young sword-wielding girl in his bed chamber. Lu took advantage and kicked his sword from his hand. The emperor scrambled to his bed to retrieve his pillow sword, but Lu was fast enough to catch him. She cut his head off with one blow, and then escaped to tell her master she was avenged. Wuxia Xiaoshou versus Real Kungfu In our paranoid age of school shootings, hate crimes and terrorist attacks, the ancient fighting systems of kungfu appear arcane for self-defense, so 'reality' is a big issue. In the face of such harsh realities, wuxia tales like Crouching Tiger, Hidden Dragon become appealing escapist fantasies. But in the martial arts, our western 'scientific' perspective can reduce kungfu down to only what works in street combat and defines that as 'real.' All of the rest is disregarded as fake. Such a myopic viewpoint might deride the fantasy fights in Crouching Tiger, Hidden Dragon or read wuxia tales, saying it's not real kungfu because it fails to meet their expectations for a real fight. But if everything is kept in the context of being a story, the issue of reality is absurd. Of course it's not a real fight, it's a story. Expecting reality in such a story is a little silly. With the current trend of movie choreography towards more wire work, martial 'realists' should step back and look at the bigger picture. Was Yongzheng really assassinated by a teenage Shaolin disciple girl? Probably not, but it sure makes a great story. And within that story is something even greater. ​ Beyond snubbing entertainment, the real-versus-fake dichotomy has a much greater cost. Exclusive focus on fighting techniques is quite literally amoral. Such scientific reductionalism sacrifices the most valuable lesson of kungfu - wude, the warrior's code. Unlike the Japanese warrior's code of Bushido, kungfu wude cannot be found in written an ancient etiquette treatise. Much of wude is unspoken, but you know it when you see it. It is buried in our legends and folk tales. It is demonstrated by examples in our books and movies, albeit in fantastic examples. It is what wuxia is all about. And wuxia speaks to everyone, martial artist and non-martial artist, about the values and ethics of the warrior way. The real quest of the warrior is not to learn how to fight, it's to discover when to fight and why. While these stories might not provide the best technique to kick someone's butt, there are far more meaningful lessons in kungfu. We preserve the legacy of masters like Gan Fengchi when we practice Bak Sil Lum or Hua Quan. We also honor them whenever we retell their stories. And just like the kungfu he created, the wuxia tales of Master Gan have valuable lessons that deepen in meaning with every recitation. By Gene Ching (C) 2004 KungFuMagazine.com. Republished by permission.

  • Mission and About | Immortal Studios

    ABOUT An original content studio with an INTERCONNECTED STORY UNIVERSE dedicated to authentic, contemporary WUXIA ENTERTAINMENT Mission Awaken the Hero in everyone! Immortal is the global home for the Wuxia genre About Immortal ​ Immortal is an original content studio dedicated to awakening the hero within each of us. We take a modern approach to the Wuxia tradition to share stories of empowerment, self-discovery and connection with the world around us. ​ The martial arts fantasy genre, or Wuxia , is an embracing one. Though founded in ancient traditions, we believe the genre represents values critical to modern times. While our heroes certainly have "superpowers," these abilities are founded on the concept of qi, and are acquired through self-cultivation, training, willpower, and connecting to Nature/spirit. This means that literally everyone can become a hero. We want to create content that inspires discovery because we believe in each of us is a hero waiting to be awakened or reawakened. ​ Our goal is to take Wuxia to the global mainstream. We want to do this with an authenticity and respect of the tradition that we believe is missing in other representations of the genre and by interacting with contemporary ideas and situations. ​ It is also very easy to overly indulge in the martial component of Wuxia where there is just endless fighting, revenge and violence. Here, while we absolutely are committed to great martial capabilities, we want to “elevate” the genre by including the chivalrous, the self restraint, the anonymity, and transformation of the genre – ultimately the “Xia” archetype that has been missing from Wu (Martial) xia (Hero). ​ ​ We are also founded on principles of radical fan engagement. We believe community is critical to process of creating stories and the power of the communities to take those stories to the world. Thus our goal is to cultivate a community of fans that embody the ideals of Wuxia, inspire them to seek their own stories and even take part in the Immortal Storyverse. ​ Ultimately, we envision Immortal as a lifestyle, an attitude and spirit, dedicated to the bringing about an environment for service, empowerment, representation, empathy, authenticity and enlightenment. Even though we are a company, the underlying reason for our existence is to elevate and unite our world in positive action through stories and culture through. We believe our vision for Wuxia can uniquely accomplish just that. ​ Immortal's Mission Creation of an authentic and transformational Wuxia universe for the world through a vibrant direct to audience approach encompassing content, lifestyles and products. Awaken the Hero (Xia) in Everyone. To cause the remembrance of our inherent nobility as to undertake actions that are of benefit to oneself, and the world at large. Uniting the East and West – to bring the world together in positive common action through shared heroes and stories.

  • Chronicles of the Immortal Swordsmen | Comic Book from Immortal

    Quick View Chronicles of the Immortal Swordsmen #1 - Print - Bernard Chang Cover Price $7.00 Add to Cart Quick View Chronicles of the Immortal Swordsmen Poster by Bernard Chang Price $25.00 Add to Cart Quick View Chronicles of the Immortal Swordsmen #1 - Print Price $7.00 Add to Cart Quick View Chronicles of the Immortal Swordsmen #1 - Print - Javier Fernandez Cover Price $7.00 Add to Cart Story Phil Du has always felt a yearning in his heart for something so awe-inspiring and indescribable that it overwhelms him, but his life in the real world has only been filled with struggle, confusion and chaos. Even though he has found solace as an urban parkour and an alter-ego as “Ironpond” in a virtual fantasy game – his visions of infinite freedom, even immortality – have simply been the unreachable dreams of a confused young man. His growing troubles and the appearance of Jade Swallow , an alluring, ever-present figure who appears– even in his virtual world – and always remains just out of his reach, pushes IronPond Du to face his conviction to pursue a hidden Immortal Cave in real life and in game with his esports team, Brickhouse, that promises answers and powers. All of this coincides with the disappearance of LA Chinatown restauranteur Frank Fat along with many other strange, unexplained deaths happening around the city, and Ironpond Du suddenly finds himself in the middle of a brewing civil war between supernatural warriors who have splintered apart -- perhaps as someone who will tip the scales. Sign Up for Our Newsletter

  • Project Immortal | Immortal Studios

    Join The Immortal Order Following the success of our first four comic book title drops, we are immensely proud and excited to be celebrating the AAPI Heritage Month by releasing our next title in the Immortal Storyverse -- PROJECT IMMORTAL -- a groundbreaking story about a diverse team of unlikely, yet totally relatable, teenage heroes who band together to defend their families and communities. This is your chance to join THE IMMORTAL ORDER, and you will immediately receive a digital commemorative comic book, gain access to discounts -- AND receive early access, exclusive content, including regular newsletters. You will also get the opportunity to get directly involved in our comic book revolution -- fan engaged story, character, powers, and theme development. Please also follow our social media channels by clicking the links below! First Name Last Name Email Message Send Click here to download Facebook Twitter Instagram Linkedin

  • ASSASSIN G | Comic Book from Immortal Studios

    Adapted from the Shiao Yi novel 甘 19 妹 (gan the 19th Assassin) Came in 2021

  • Comic-Con-2022 | Immortal Studios

    BOOTH #2102 SIGNING SCHEDULE THURSDAY, JULY 21 Peter Shiao 11am – 12pm & 3pm – 4pm PDT FRIDAY, JULY 22 Gene Ching 10am – 11am PDT Peter Shiao 12pm – 1pm PDT Charlie Stickney 1pm – 2pm PDT Rylend Grant 2pm – 3pm PDT Brian Cunningham 3pm – 4pm PDT Bernard Chang 4pm – 5pm PDT ​ SATURDAY, JULY 23 Brian Cunningham 10am – 12pm PDT Gene Ching 12pm – 1pm PDT Jen Troy & Rylend Grant 3pm – 4pm PDT Peter Shiao 4pm – 5pm PDT SUNDAY, JULY 24 Brian Cunningham 10:30am – 11:30am PDT Rylend Grant 12pm – 1pm PDT Peter Shiao 1pm – 2pm PDT CLICK HERE TO LEARN MORE ABOUT IMMORTAL STUDIOS

  • TERMS OF USE | Immortal Studios

    Please read these Terms of Use (“Terms”) carefully before using the https://immortal-studios.com website (the “Service”) operated by Immortal Studios. Your access to and use of the Service is conditioned on your acceptance of and compliance with these Terms. By accessing or using the Service you agree to be bound by these Terms. These Terms apply to all visitors, users and others who access or use the Service. If you disagree with any part of the Terms then you may not access the Service. Immortal Studios reserves the right, in their sole discretion, to modify, alter or otherwise update these Terms of Use at any time and by any use subsequent to any such modification, alteration or otherwise, you agree to be bound by such modifications, alterations or updates. By continuing to access or use our Service after those revisions, you agree to be bound by the revised Terms. You agree to review these Terms of Use on a periodic basis. 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These Terms constitute the entire agreement between us regarding our Service, and supersede and replace any prior agreements we might have between us regarding the Service. Disclaimers and Limitations on Liability: Immortal Studios is not responsible or liable for any infections such as adware or spyware, or contamination of your system or delays, inaccuracies, errors, or omissions arising out of your use of this site or with respect to the Material contained on this site. This site and all Materials contained on it are distributed and transmitted “as is” without warranties of any kind, either express or implied, including, without limitation, warranties of title or implied warranties of merchantability or fitness for a particular purpose. The entire risk as to the quality, accuracy, adequacy, completeness, correctness and validity of any material rests with you. 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  • The Immortal Storyverse

    COMICS ​ The Immortal Storyverse (TIS) is an inter-connected universe of characters and stories that bring s together all the wide-ranging influences and inspirations of the Wuxia genre , from Kung Fu to Immortals in one world . ​ TIS is adapted f rom the library of Chinese W uxia legend Shiao Yi’s 60+ previously published titles along with contributions from other Immortal creators. All our stories will be published as comics and graphic novels first before considering other venues to further the stories. Key Tenets inclues: There Are No Radioactive Spiders In our world, everyone has the potential to develop heroic powers because ability comes from self cultivation and mastery. Everybody is the One in our world. Embracing the Ancient Future Immortal contemporizes the Eastern martial hero tradition, setting our stories in modern times amongst today’s social, political, and cultural contexts. Transformative Journies Wuxia is a transformational genre, and Immortal rem ains aut hentic to its traditions of empowe rment, self-discovery, elevation and connection with the world around us. Welcoming Believers, Purists and Neophytes Immortal embraces the deep historical, cultural, spiritual roots of the genre that has spanned 5000 years and is singularly focused on its continuation onto the world.

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